Accepted Submissions for the Arts and Robots Track at ICRA 2026

ID #TitleAuthorsAffiliations
1AstrofinBowen Wu, Taiyi ZhaoUniversity of Glasgow; University of Strathclyde
15SLAPBOTHooman Samani, Cheng ChangUniversity of the Arts London; University of the Arts London
22QUANTWINSilke GrabingerUniversity of Arts Linz
24disarming IIEmanuel GollobUniversity of Arts Linz
25Algorithms in ReflectionFreddie HongKingston University
26Safe and SoundRomario AkikiUniversity of the Arts London
28graffiti droneMisha MostMoscow Pedagogical State University
31Embodied Magnetism: A Wearable Sensory Design for Human-Robot Performance InteractionHao Liu, Cheng Chang, Hooman Samani, Saina AkhondUniversity of the Arts London; University of the Arts London; University of the Arts London; University of the Arts London
32Pain KillerDr. Fruzsina Nagy DLAHungarian University of Fine Arts
33The Physiology of Creativity: Autonomous Robotic Painting Driven by Synthetic Biometric GenerationAngshu Adhya, Eric Chen, Rishad Hasan, Hana Ichikawa, Mrunmayee Jere, Tetsu Kurumisawa, Tianxin Li, Cindy Yang, Longzhen Yuan, Abhishek Narula, Patricia Alves-OliveiraUniversity of Michigan – Ann Arbor; Unknown; University of Michigan – Ann Arbor; University of Michigan – Ann Arbor; Unknown; University of Michigan – Ann Arbor; University of Michigan – Ann Arbor; Unknown; University of Michigan – Ann Arbor; University of Michigan – Ann Arbor; University of Michigan – Ann Arbor
34The Kinetic Elegance of Resilience: Visualizing Intelligence through Sacrificial SkinWynn BearWYNNBEAR Advanced Aerotech
35SymbiosisIzabella Opalska, Karolina Źróbek, Bipin IndurkhyaJagiellonian University in Krakow; International Business Machines; Jagiellonian University in Krakow
38RoboSax Melody Slot MachineMasatoshi Hamanaka, Gou KoutakiRIKEN; Kumamoto University
40Reptile: A Bio-Mimetic Choreography Engine for V2X and A2X SwarmsSriram BhatRhombus Research
43Σ-A49.1.27 – A Speculative Archaeological Installation of an AI-Assisted Bio-Inspired RobotGabriella VárosiHungarian University of Fine Arts
44Ai’s Lullaby: Non-Identitarian Deconstruction and Cyborg DiffractiveXiaolin ZhangPark University
46Maternal ProtocolMonika Bielenis, Bipin Indurkhya, Antonio Galiza Cerdeira Gonzalez, Mateusz Świderski, Paulina Zguda, Aneta SieniawskaFine Arts Academy “Jan Matejko” in Cracow; Jagiellonian University in Krakow; Jagiellonian University in Krakow; Academy of Fine Arts in Cracow; University of Jamestown; Fine Arts Academy “Jan Matejko” in Cracow
47Shhh, the Child is SleepingMonika Bielenis, Mateusz Świderski, Antonio Galiza Cerdeira Gonzalez, Bipin Indurkhya, Paulina Zguda, Aneta SieniawskaFine Arts Academy “Jan Matejko” in Cracow; Academy of Fine Arts in Cracow; Jagiellonian University in Krakow; Jagiellonian University in Krakow; University of Jamestown; Fine Arts Academy “Jan Matejko” in Cracow
50Designing First Encounters with a Robotic Swarm: A Dramaturgical Method for Human–Robotic Swarm InteractionsElena Marie VellaSwinburne University of Technology
51After Order | Non-Architectural ConditionsChristoph MüllerTechnische Universität Wien
52A Force Myograpgy Interface for Human-Robot Collaborative PaintingSHREE HARSHA K N, Debadutta SubudhiIndian Institute of Technology, Madras, Dhirubhai Ambani Institute Of Information and Communication Technology; Indian Institute of Technology, Madras, Dhirubhai Ambani Institute Of Information and Communication Technology
55ClaviiiiiierFélix VannesteINRIA
56TOKAMAK | Human–Machine Co-Creation in a Musical ContextTobias EulerBauhaus Universität Weimar
57Embodied MemoryGleisson S Bezerra, Katia Wille, Hans BlankenburghGoogle; Universidade Veiga de Almeida; Maastricht University
58PET robotNicholas StedmanToronto Metropolitan University
61Eyes as a Brush, Light as PaintIsla Xi HanUniversity of Tennessee, Knoxville
66Blind Contour: An Exploration of Robot Painted Animation and Human ChoreographyPeter Schaldenbrand, Tomo Sone, Johannes DeYoung, Jean OhCMU, Carnegie Mellon University; Independent; Carnegie Mellon University; Carnegie Mellon University
67Robot Painted AnimationPeter Schaldenbrand, Yitong Wang, Jean OhCMU, Carnegie Mellon University; Boston University, Boston University; Carnegie Mellon University
68Music-driven Robot Swarm PaintingGennaro NotomistaUniversity of Waterloo
70Emotional Planning of Robot’s Trajectory Based on Visual Aesthetic Experience and Affective Scene GraphsSOUALAH Mohand Tahar, Fatemeh Saveh, Kurosh MadaniUniversité Paris-Est Créteil; Université Paris-Est Créteil; Université Paris-Est Créteil
73Bodies in Dialogue: Exploring Embodied AI in Human-Robot Physical Theatre EnsemblesMaleen Jayasuriya, Piumi Wijesundara, Ruhanie Perera, Gavin Robins, Suzanne Osmond, Beth Shulman, Mia Rashid, Janie Busby Grant, Prof David Cotterrell, Damith HerathUniversity of Canberra; Independent; University of Colombo; National Institute of Dramatic Art; National Institute of Dramatic Art; National Institute of Dramatic Art; Unknown; University of Canberra; Sheffield Hallam University; University of Canberra
74CHORD: Deterministic Virtuosity in Anthropomorphic Robotic PianoPragya SinghUniversity of Pennsylvania, University of Pennsylvania
76Rhythmic Motion of a Kinetic Animal Skeletal Array Powered by Synthetic ActuationMathys Gamper, Sareum Kim, Josie HughesEPFL – EPF Lausanne; EPFL – EPF Lausanne; EPFL – EPF Lausanne
77Tac-Art: Tactile-Driven Art Inspired by Chinese CalligraphyGeming Chen, Yu Liu, Yang Zhang, Dongya Li, Shuai PengTechnical University of Denmark; Jiangnan University; Technical University of Denmark; Jiangnan University; Unknown
78Father[Less]: Giving Voice to Infants—Voiceless Citizens—Through Needs-Aware Art-Generating RobotsSoheil Human, Mahan MehrvarzWirtschaftsuniversität Wien; Delft University of Technology

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Arts and Robots @ ICRA 2026